Collectible appraisal

1949 First Series Renminbi Red Factory 100 Yuan

Start with photos so we can assess type, condition and market direction. Higher-value or uncertain items can then be checked in person.

WhatsApp photos for appraisal Front, back and edge photos are usually reviewed first

Free photo review Phone 852 98342057

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Collectible appraisal

1949 First Series Renminbi Red Factory 100 Yuan

Start with photos so we can assess type, condition and market direction. Higher-value or uncertain items can then be checked in person.

1949 First Series Renminbi Red Factory 100 Yuan

Fast appraisal contact Free photo review
WhatsApp photos for appraisal Front, back and edge photos are usually reviewed first
Phone 852 98342057

Please include front, back, edge, weight, size, detail and certificate photos where available.

Free photo review HK/Macau appointment available Quote after in-person confirmation Cash or transfer handover

Item details and appraisal notes

A 1949 First Series Renminbi Red Factory 100 Yuan note should be checked from the complete printed face, with the factory subject, value, date and border shown together. The stated “Red” colour alone is not enough to identify a subtype. Photograph the reverse, any visible numbering and paper condition in separate steps under neutral light.

Red Factory 100 Yuan: design evidence before colour judgement

Identity featureVisible reading
Issue seriesFirst Series Renminbi
Date1949
Value100 Yuan
Named designRed Factory
Colour boundaryThe Red Factory 100 Yuan identity needs subject, value and date together. Saturation or staining cannot establish variety or grade.

Photograph the factory design and paper separately

Complete front and back: Use matched square-on images with every corner and cut edge visible. Keep the Red Factory 100 Yuan subject beside the 1949 date and denomination in the full front. Preserve neutral white balance before making any close view of colour or print.

Prefix, serial and inscriptions: Show any prefix and whole serial that are present, including spacing and nearby ink. A second light angle may help with a faint position, but digital enhancement must not add a stroke. Include readable text around the number line.

Surface and previous work: Map creases, foxing, pinholes, water staining, edge loss, trimming, pressing, backing, tape and repair to the appropriate side. Compare neutral and raking light without washing or flattening the paper. Each enlarged defect needs a complete locator view.

Keep light, scale and colour consistent

Place the note on a dry non-reflective support and use the same neutral lighting for both faces. Avoid filters, boosted red saturation and aggressive sharpening. Keep washing, ironing, bleach, pressure and replacement tape out of the process. Use transmitted light only when a visible watermark, thin area or repair requires it.

Three observations about present condition

ObservationHow to show it
Printed colourThe Red Factory 100 Yuan face is photographed with neutral white balance, while ageing and stains are identified separately.
CompletenessAll corners and cut edges remain visible, with missing paper or trimming located on the full face.
Supporting materialAny sleeve, album, label, certificate or holder is photographed apart from the printed paper and linked only by documented context.

Two unrelated subjects for comparison

First Series context and photography guidance

Use the First Series Renminbi for nearby issues and the First Series Renminbi: Denominations, Designs and Evidence to organise comparisons. The physical colour, subject and value remain the final evidence.

Send the complete faces and colour-accurate details through the About Gu Jin Jian Bao | Collection Enquiries; send a focused view through WhatsApp at +852 9834 2057, or call +852 9834 2057. Mention any uneven colour, earlier treatment and surviving holder or certificate.

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常見問題點擊展開答案

Which details support the 1949 Red Factory 100 Yuan identity?

The Red Factory 100 Yuan subject, date and value need to appear together on a colour-accurate full face. Pair the front with the complete reverse and border.

Can stronger red saturation prove the variety?

No. Neutral white balance is needed because ageing, staining, cleaning and edited colour can change appearance. Printed design evidence must support any finer attribution.

How are visible paper features separated?

Use raking light for texture and transmitted light only for an actual watermark, thin area or repair. Keep water staining in the ordinary condition photographs.